![]() ![]() A pillarboxed or letterboxed image is expected in these scenarios.ĭo not crop or ‘blow-up’ the image to fill the container. In these scenarios, fit the active picture to the container resolution, aligning with either the top and bottom edge or left and right edge, as appropriate for the aspect ratio. 2.35, 2.50 ) the active image must be fit to a DCI Scope container. If the content has an aspect ratio equal to or greater than 2.30 ( e.g. 2.00, 1.89, 1.78, 1.66, 1.33 ) the active image must be fit to a DCI Flat container. If the content has an aspect ratio of less than 2.30 ( e.g. With prior approval by Netflix, a DCI 2K container resolution may be used, either 1998x1080 (1.85/Flat) or 2048x858 (2.39 Scope).Ĭontent with a 1.85 aspect ratio or 2.39 aspect ratio must utilize the full container resolution ( DCI Flat or DCI Scope respectively ), the image must fill the frame, edge-to-edge vertically and horizontally.Īll other resolutions must be sized and ‘padded’ with black to fill a DCI Flat or DCI Scope container resolution. Resolution & Aspect RatioĭCP compositions must be DCI 4K container resolution, either 3996x2160 (1.85/Flat) or 4096x1716 (2.39/Scope). if one MXF is encrypted, all MXF must be encrypted ). When utilizing encryption, all MXF assets of the same asset type must be encrypted ( e.g. Some authoring partners choose to limit the maximum bitrate to 245MB/s for Standard-Dynamic-Range (SDR) content to prevent the possibility of the bitrate spiking above 250MB/s. The image must be encoded to DCI specification JPEG-2000 with a maximum Variable Bitrate (VBR) of 250MB/s, or 500Mb/s for HDR/Dolby Vision and High Frame Rate content. This will be accomplished inherently for DCP compositions containing Netflix Theatrical Idents before and after the program ( as the Idents begin and end on black ). The first frame in the first reel/segment in a DCP composition must begin on black, and the last frame in the last reel/segment in a DCP composition must end on black. Reels/SegmentsĭCP compositions must be formatted in reels/segments of (22) minutes or less, conformed together seamlessly to represent the long-play form of the content. Markers, Ratings, 3D Subtitles, encrypted Timed Text MXF ) must not be used for High-Frame-Rate, Dolby ATMOS or HDR/Dolby Vision DCP compositions. SMPTE features other than those detailed above ( e.g. the CPL must include the following Extension information in the “ExtensionMetadataList” in the “CompositionMetadataAsset:”.must include the “CompositionMetadataAsset” ( described in SMPTE ST 429-16 ) and it must be filled out as completely as possible.must be a fully flattened OV DCP composition, with all Subtitles or Open Caption burned-in to the video MXF.must not use audio MXF MCA sub descriptor label ULs. ![]() must not include the “CompositionMetadataAsset” ( described in SMPTE ST 429-16 ).The guidelines for SMPTE features for each use case are detailed below: The SMPTE standard has a number of features however, not all features must be utilized when authoring a SMPTE DCP composition. Interop (IOP) standard must be used, except in the scenarios described below where SMPTE standard is required. For best practices for DCP see Digital Cinema Package (DCP): Best Practices. This document outlines specifications and requirements when authoring Digital Cinema Packages (DCP) for Netflix. ![]()
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